Formulation of the Claim

The myth of the People of the Cave, in the formulation of the “Seven Sleepers,” passes from the Latin Christian sphere into the Islamic sphere.

Explanation

Arkoun presents this myth as an example of the circulation of religious narratives among monotheistic traditions, not as an account confined to a single religion. The aim is to highlight the path of diffusion and transformation, and how the story enters a new horizon of meaning when it is taken up within Islam.

This atom also makes it possible to show Arkoun’s interest in what he calls the comparative history of symbols and foundational stories. The value here lies not only in the origin of the tale, but also in what its movement from its Christian formulation to its Islamic presence reveals about broader cultural and religious intertwinings.

Its Place in the Book’s Argument

This atom falls within Arkoun’s broader thesis, which approaches the monotheistic religions as an interactive historical space, not as entirely separate worlds. It is connected to his attempt to dismantle conceptions that make each religious tradition closed in on itself, and instead to affirm the existence of exchange in stories, symbols, and interpretations.

Limits of the Claim

This atom should not be made to bear a final judgment about the story’s first origin, nor should it be reduced to a single, simple trajectory. It points to diffusion between Christianity and Islam, without by itself settling all the layers of historical or textual transformation.

Brief Evidence Passage

Arkoun presents the myth of the People of the Cave, in the formulation of the “Seven Sleepers,” as an example of the circulation of religious narratives among monotheistic traditions. It is not presented as a story confined to a single religion, but as a tale that moved from the Latin Christian sphere into the Islamic sphere. The aim is to highlight the path of diffusion and transformation when the story is taken up within a new horizon of meaning.